By Aldous Huxley
A Hollywood millionaire with a fear of demise, whose own surgeon occurs to be engaged on a idea of longevity-these are the weather of Aldous Huxley's caustic and pleasing satire on man's wish to reside indefinitely. along with his widely used wit and highbrow sophistication, Huxley pursues his characters of their quest for the everlasting, completing on a be aware of horror. "This is Mr. Huxley's Hollywood novel, and also you may count on it to be marvelous, extravagant, loopy and preposterous. it's all that, and heaven and hell too....It is the type of novel that he's rather the grasp of, the place the main outstanding and fortuitous occasions are by way of contemplative little essays at the that means of life....The tale is outrageously good."—New York Times. "A hugely sensational plot that might hold miraculous you to essentially the ultimate sentence."—The New Yorker. "Mr. Huxley's stylish mockery, his merciless aptness of word, the revelations and the inventive surprises he springs at the reader are these of a grasp craftsman; Mr. Huxley is on the most sensible of his form." —London Times Literary Supplement.
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Additional info for After Many a Summer Dies the Swan
In Beloved Paul D’s intercourse with Beloved and in Almanac Trigg’s habitual bleeding of the homeless during oral sex illustrate the absorption of death into sexual acts. Arie`s continues with a consideration of how opinions of death changed in the early twentieth century. He proposes that ‘‘nothing had yet changed in the rituals of death, which were preserved at least in appearance, and no one had yet the idea of changing them. But people had already begun to empty them of their dramatic impact; the procedure of hushing-up had begun’’ (87).
Our peripheral existence, however, was something we had learned to deal with—probably because it was abstract. But the concreteness of being outdoors was another matter—like the difference between the concept of death and being, in fact, dead. 14 Morrison’s writing about ‘‘outdoors’’ corresponds well with the tenor of this project. In her paradigm, outside becomes ‘‘outdoors,’’ and peripheral existence or marginal space describes a living death— a full embrace of the concept of death. Here ‘‘outoors’’ is synonymous with being dead.
Occupying this artiﬁcial position, the physician serves as a medium between the conscious but stricken family members and the often unconscious patient. The doctor, usually perceived as male, upsets the balance of life and death, usurping Death and the Nation’s Subjects 33 the position of women as mothers and potential mourners by becoming both center and margin and by altering a previously ungendered space and making it, via connotation, male. It is his opinion that will determine the fate of both family and patient, and his word will stand at the center of any discourse about the dying person.
After Many a Summer Dies the Swan by Aldous Huxley
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